Vol. 12 No. 4 (2024)

Articles

Jarno Hietalahti
1-20
Humour and humanism. The role of funniness in an imperfect life
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Conal Condren
21-32
Humour as umbrella term: some implications of a classifier
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Julie Janssens, Clarissa de Vries, Geert Brône
33-51
Interactional functions of raised eyebrows by ironists and their addressees
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Almas Hussain, Yagmur Cerkez
52-66
A systematic analysis of positive and negative humour styles
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Mauricio Lecón
67-81
Hands up, Bozo! The difficulties of arresting humour
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Emmanuel Choquette, Sylvain Bédard, Amal Ben Ismail
82-104
Is humour effective in combating hate speech? Maybe not so clearly
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Eleni Kapogianni, Vasia Tsami, Villy Tsakona, Argiris Archakis
105-123
“Interesting but incongruous”: Greek teacher attitudes towards teaching about humour within a critical literacy framework
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Mareike Oesterle, Götz Schwab
124-144
Negotiating instances of failed humour in a transient transnational community
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Michaela Schriek
145-158
The effects of humour on mature students' experience of/in higher education
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Adrian Hale, Dennis Lam
159-173
“I was pissed off at her ignorance”: when an international student protests against racist humour in a university tutorial
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Ismail Tahir
174-196
Can celebrity comedians make any jokes? Unlocking the nature of humour among Indonesian celebrity comedians on social media
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Ronny Yudhi Septa Priana, Siti Karlinah, Dadang Rahmat Hidayat, Dian Wardiana Sjuchro
197-214
Humor as a representation of community identity: an analysis of Sundanese verbal humor
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Nikola Novaković
215-234
From Fantômas to The Black Doll: the aesthetics of silent cinema and the nonsense of Edward Gorey
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Anne Claire Yemsi Paillissé
235-250
The rise of humour in creative cuisines
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Vesna Suljic, Ajla Pervan
251-268
Creative writing in the hands of artificial intelligence: the analysis of humour in Bard-generated texts
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SF. Luthfie Arguby Purnomo, Lilik Untari, Umi Pujiyanti, Shabrina An Adzhani, Wildi Adila, Robith Khoiril Umam, SF. Lukfianka Sanjaya Purnama, Yustin Sartika, Fathan Fathan
269-289
Ludic pitch: what can we learn from the pitchers of Shark Tank in wordplaying on brands and product lexicons to generate laughter from the sharks?
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